headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

3
Big Boss Man
March 23, 1972
Academy of Music

Beefy stetson hat workout. Ravishing harp and fun fender deluxe reverb tones.
3
Samson and Delilah
June 16, 1985
Greek Theater

Not unheard of to go into this after scarlet fire (34 times) still, something of a wacky pranksterish reset. Speedy and powerful version with growl.
2
Big River
July 13, 1985
Ventura County Fairgrounds

Devils come alive. Joy ride to wirepickin' ecstatic oblivion. Furiously active yet not autobahn, deep 80s
1
Drums -> Space
June 27, 1985
SPAC

Great one. Kits duet is really inspired. Space curdles out with noise but gets jester's hat nightmare with vocal pranks. Beautiful long bluesy intro
1
El Paso
June 27, 1985
SPAC

Stagger lee>el paso>crazy fingers>supplication>high time. hetty

Comments

Cassidy
March 23, 1974
Cow Palace

Tremendously beautiful, and close to the version on "ace", from chill kreutzmann's innovative cymbal work to the chorus harmonies.
Scarlet Begonias
March 23, 1974
Cow Palace

it could be my illusions but this slaps hard and has a carefree chill ease blown in from the bay. Has that slinky erotic flavor of all the most slamming versions.
Black Throated Wind
March 23, 1974
Cow Palace

Bleary, stormy and powerful.
Eyes Of The World
June 20, 1974
The Omni

.... that intro is mystical, theres romantic stuff, full on freak stuff, concert hall and more blues and funk, massive Phil punch-dosing before a first-rate eyesie in its own right, hard hitting and its a reservoir of twinkle
Truckin'
June 20, 1974
The Omni

Ds67 great recommend. the wall of sound always goes to the next level. Really jazzy and slinky long before you get to the notable space section... Godchaux's baldwin grand with pickups sounds wondrous doesnt it. They get seas of tone on this one.... sound painting with the promise of the chicago electric blues movement for an open free resplendent dawnrise look at that feeling, those types of licks and articulations to get the fuckin blues into jazz once and for all