headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Space
July 14, 1984
Greek Theatre - University of California

Eerie. this jerry-driven version is mired in the paranoia of imminent doom with the wink of cyberjazz. Reaches a to1-esque crater of solemn peace.
2
Looks Like Rain
July 14, 1984
Greek Theatre - University of California

yet another symphonic slammer. Deeply meant.
1
They Love Each Other
April 16, 1989
The Mecca

First rate. Excellent group blend, they're ready for the fireworks of the two years to follow
3
Looks Like Rain
April 18, 1982
Hartford Civic Center

80s are a goldmine for LLR's, this one wirey, lustrous and cinematic.
1
Ramble On Rose
April 18, 1982
Hartford Civic Center

welcome wink of a heel-diggingly true pure rendering. Spiky and down home like jerry and hunter's best evocations of timeless tribulation and delitez.
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Comments

Cassidy
March 23, 1974
Cow Palace

Tremendously beautiful, and close to the version on "ace", from chill kreutzmann's innovative cymbal work to the chorus harmonies.
Scarlet Begonias
March 23, 1974
Cow Palace

it could be my illusions but this slaps hard and has a carefree chill ease blown in from the bay. Has that slinky erotic flavor of all the most slamming versions.
Black Throated Wind
March 23, 1974
Cow Palace

Bleary, stormy and powerful.
Eyes Of The World
June 20, 1974
The Omni

.... that intro is mystical, theres romantic stuff, full on freak stuff, concert hall and more blues and funk, massive Phil punch-dosing before a first-rate eyesie in its own right, hard hitting and its a reservoir of twinkle
Truckin'
June 20, 1974
The Omni

Ds67 great recommend. the wall of sound always goes to the next level. Really jazzy and slinky long before you get to the notable space section... Godchaux's baldwin grand with pickups sounds wondrous doesnt it. They get seas of tone on this one.... sound painting with the promise of the chicago electric blues movement for an open free resplendent dawnrise look at that feeling, those types of licks and articulations to get the fuckin blues into jazz once and for all
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