headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
U.S. Blues (Wave That Flag)
March 5, 1992
Hampton Coliseum

hits the spot after an emotional victorian library by candlelight So many roads. This is a hot one
2
He's Gone
March 5, 1992
Hampton Coliseum

Traditional showstopper with heartbreaking family film score midi complexity, fireworks galore, hoarse and bird walk into a bar with the bolos.
1
Jack A Roe
March 5, 1992
Hampton Coliseum

midi and lucidly thrilling hornsby school of third stream improv. Envelope pushing job
2
Turn On Your Love Light
Sept. 3, 1985
Starlight Theater

generous and beautiful. Devils field day.
2
Eyes Of The World
Sept. 3, 1985
Starlight Theater

Expertly carried out. Tunneled clean through. Burrowing circuses of steaming aviary transit. Invigorating.
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Comments

Eyes Of The World
March 26, 1973
Baltimore Civic Center

resplendent masterclass eyes>dew with notes of cinnamon and the collapse of one's identity, keith and phil tennis both sets, bee tee dubzzz.
Truckin'
March 26, 1973
Baltimore Civic Center

voltage on the truckin' jam in its own right- several exciting passages- Then a monet lily puddle to a breathtaking wrs prelude>afro latin/funky sauce jam>wharf>bobby mcgee. Deeply moving sequence
He's Gone
March 26, 1973
Baltimore Civic Center

intense
Box of Rain
March 26, 1973
Baltimore Civic Center

.... best of the year? Autobahn billy and jer and keith locking into some mystical lyre-picking for phil and donna to channel hunter's almost-antipathic worldview for the composer himself to use what the last 5 years had taught him so beautifully.. it infuses hope to the endlessly-shifting modality of the way hunter would specify the turn of phrase in "believe it if you need it" - somehow embracing and rejecting spirituality at once - it's all so naturally involved with an effortless higher being of consciousness afforded with certified good ole membership
St. Stephen
June 24, 1970
Capitol Theatre

.... doesn't get headier, blotted out sequence, gorgeous tighten up/eyes-ish jam gives way to freaky chemical feelin groovy/sugar mag hybrid a "shall we go" harmony, something here, there, everything twinkles into a fairylight eternity in a blink's time,then stephen rears his prophetic head in the floodlights. is there an evil forever silenced if only the lights are switched on them?
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