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find the best versions of grateful dead songs

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BeggarsTomb48

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Submissions

1
When I Paint My Masterpiece
Oct. 20, 1990
Internationales Congress Centrum

Accordion and a chops-filled country and western sprite and vigor watercolor the proceedings on this boisterously rousing version
1
Jack A Roe
Oct. 20, 1990
Internationales Congress Centrum

Slappin!!! Nimble and quick, plink and saloon outdraw at the ok corral might cowboy yer candlestick version
1
Friend of the Devil
Oct. 20, 1990
Internationales Congress Centrum

elastic with just a hint of island air... well thought out, toad in the gas pipe vocal and anthemic passion of a great slow fotd
1
Mississippi Halfstep Uptown Toodeloo
Oct. 20, 1990
Internationales Congress Centrum

Hot jack straw left right upper cut with seasoned gossamer texture
1
Day Job
July 14, 1984
Greek Theatre - University of California

bong rip encore

Comments

Cassidy
March 23, 1974
Cow Palace

Tremendously beautiful, and close to the version on "ace", from chill kreutzmann's innovative cymbal work to the chorus harmonies.
Scarlet Begonias
March 23, 1974
Cow Palace

it could be my illusions but this slaps hard and has a carefree chill ease blown in from the bay. Has that slinky erotic flavor of all the most slamming versions.
Black Throated Wind
March 23, 1974
Cow Palace

Bleary, stormy and powerful.
Eyes Of The World
June 20, 1974
The Omni

.... that intro is mystical, theres romantic stuff, full on freak stuff, concert hall and more blues and funk, massive Phil punch-dosing before a first-rate eyesie in its own right, hard hitting and its a reservoir of twinkle
Truckin'
June 20, 1974
The Omni

Ds67 great recommend. the wall of sound always goes to the next level. Really jazzy and slinky long before you get to the notable space section... Godchaux's baldwin grand with pickups sounds wondrous doesnt it. They get seas of tone on this one.... sound painting with the promise of the chicago electric blues movement for an open free resplendent dawnrise look at that feeling, those types of licks and articulations to get the fuckin blues into jazz once and for all