headyversion

find the best versions of grateful dead songs

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BeggarsTomb48

better weather

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Submissions

1
Stuck Inside of Mobile with the Memphis Blues Again
April 15, 1988
rosemont

Really kicking. Chawmobile coasting down the dunes of the michigan with Zimmerman
2
Terrapin Station
April 7, 1994
Miami Arena

22 mins including jam. whisper quiet pre-"since the end" vamp. long midi turtle with fluid watery reveries into the cranium. sad flub-filled vocal
1
Looks Like Rain
April 12, 1982
Nassau Coliseum

Another Formula 1 snapshot brent LLR. Bulging builds with graceful battering ram and icy southwestern lead work, jazzy patient coda. 40 years TDIGH
1
Tennessee Jed
April 12, 1982
Nassau Coliseum

slow, the rhythmic flourishes and haggard vibe will get you into this steamy whistlin' train versh.
1
Good Lovin'
March 14, 1981
Hartford Civic Center

hands up this one's a watery rager
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Comments

Cassidy
March 23, 1974
Cow Palace

Tremendously beautiful, and close to the version on "ace", from chill kreutzmann's innovative cymbal work to the chorus harmonies.
Scarlet Begonias
March 23, 1974
Cow Palace

it could be my illusions but this slaps hard and has a carefree chill ease blown in from the bay. Has that slinky erotic flavor of all the most slamming versions.
Black Throated Wind
March 23, 1974
Cow Palace

Bleary, stormy and powerful.
Eyes Of The World
June 20, 1974
The Omni

.... that intro is mystical, theres romantic stuff, full on freak stuff, concert hall and more blues and funk, massive Phil punch-dosing before a first-rate eyesie in its own right, hard hitting and its a reservoir of twinkle
Truckin'
June 20, 1974
The Omni

Ds67 great recommend. the wall of sound always goes to the next level. Really jazzy and slinky long before you get to the notable space section... Godchaux's baldwin grand with pickups sounds wondrous doesnt it. They get seas of tone on this one.... sound painting with the promise of the chicago electric blues movement for an open free resplendent dawnrise look at that feeling, those types of licks and articulations to get the fuckin blues into jazz once and for all
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