headyversion

find the best versions of grateful dead songs

please login or register.

BeggarsTomb48

better weather

+7005


Submissions

3
Promised Land
May 11, 1991
Shoreline Amphitheatre

this one is a gimme for Hornsby's jumpstart chops which makes for a devastating affair with jer and the guys lockin' in.
1
Drums -> Space
May 11, 1991
Shoreline Amphitheatre

Laconic and textural, devils hang loose. Chasms of endless spirals of blank fear only to be boingy wackjob cyberjazz, menacing, for OG 90's heads
1
Uncle John's Band
May 11, 1991
Shoreline Amphitheatre

High spirited and activated septet playing. Lengthy tonal solo and manic 7/4 takeoff
1
Playin' In The Band
May 11, 1991
Shoreline Amphitheatre

Blazing steamroller, Hornsby, flutterbird PITB. Elegant, direct, emblematic of the late style.
1
I Need A Miracle
July 21, 1990
World Music Theatre

Mystical, blazing

Comments

Cassidy
March 23, 1974
Cow Palace

Tremendously beautiful, and close to the version on "ace", from chill kreutzmann's innovative cymbal work to the chorus harmonies.
Scarlet Begonias
March 23, 1974
Cow Palace

it could be my illusions but this slaps hard and has a carefree chill ease blown in from the bay. Has that slinky erotic flavor of all the most slamming versions.
Black Throated Wind
March 23, 1974
Cow Palace

Bleary, stormy and powerful.
Eyes Of The World
June 20, 1974
The Omni

.... that intro is mystical, theres romantic stuff, full on freak stuff, concert hall and more blues and funk, massive Phil punch-dosing before a first-rate eyesie in its own right, hard hitting and its a reservoir of twinkle
Truckin'
June 20, 1974
The Omni

Ds67 great recommend. the wall of sound always goes to the next level. Really jazzy and slinky long before you get to the notable space section... Godchaux's baldwin grand with pickups sounds wondrous doesnt it. They get seas of tone on this one.... sound painting with the promise of the chicago electric blues movement for an open free resplendent dawnrise look at that feeling, those types of licks and articulations to get the fuckin blues into jazz once and for all