headyversion

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BobbysJorts

Can'tTouchThis

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Submissions

1
Sugar Magnolia
Oct. 19, 1990
Internationales Congress Centrum

Any Sugar Mags this late in the Dead's career is a Phil showcase for all I care, and this is no different. Play it, Lesh! Makes me wanna dance.
1
Deal
Oct. 19, 1990
Internationales Congress Centrum

Certainly no snoozer. Head-spinning jamming toward the end of the middle jam. Big effort from all.
1
Mexicali Blues
Oct. 19, 1990
Internationales Congress Centrum

Drums on fire!!! This is also one of the few songs that lends itself well to the midi
1
Little Red Rooster
Oct. 19, 1990
Internationales Congress Centrum

Listen to those drums swing! Above average slide fun from the band, particularly Garcia.
1
Let The Good Times Roll
Oct. 19, 1990
Internationales Congress Centrum

Drums are on fire this show, starting here. Fun one. Love the vox at the "All night" part. Is that Mr. Welnick? Love it!
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Comments

The Eleven
Dec. 11, 1969
Thelma Theater

A real low and slow, broody performance here. Good, easy listening Eleven.
Truckin'
Feb. 18, 1971
Capitol Theater

Some real fine jamming here.
Cold Rain and Snow
Feb. 3, 1978
Dane County Coliseum

This one is absolutely banging. Garcia is sitting on this one right where he needs to be. Keith is adding the perfect sparkles where he needs to. Drum fills are great. Donna sounds nice. Well deserved spot at the top of this list.
Jack Straw
May 8, 1977
Barton Hall - Cornell University

Barring all of the other absolutely beautiful and unbelievable madness that happens during this tune, I really love the phaser that Weir throws onto his guitar for this one. Fucking awesome.
New Minglewood Blues
May 8, 1977
Barton Hall - Cornell University

I used to quietly gripe about this one being at the top. Not remotely someone who likes suspend disbelief & pretend Cornell isn't one of the best shows ever, but this one was always just another '77 Minglewood to me. Then one random listen today made me think "damn, maybe this has really been the best ever all along." Keith & Garcia are laying down some absolutely bonkers lines to open up this show. Drums are on fire. Phil is riding the wave so precisely, but with an immense amount of energy I almost can't believe it. Weir's vox couldn't be better.
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