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Carrion_Crow

Stealth Head

+22789


Submissions

1
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
2
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
1
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
1
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
1
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.

Comments

Around and Around
June 14, 1976
Beacon Theatre

Funny moment where half the band goes into double time a chorus before the other half. A lesser band would have trainwrecked, but they pulled it together in the end. Cool slower version, though.
High Time
June 14, 1976
Beacon Theatre

This isn't just about the passionate vocals, but about the tremendous ensemble playing. Keith delivers perfect accents, the intensity swells and fades at brilliant moments, and Donna's sweet touches make this one unforgettable.
Lazy Lightnin' -> Supplication
June 14, 1976
Beacon Theatre

This is so hot. How this band jammed in 7/4 with such liquid flow is mind-boggling. Any musicians out there can confirm: It's an unforgiving time signature. Here they make it seem as easy as breathing, inspired and driven, and as wild as the lightning adrenaline Bobby's singing about.
Mama Tried
June 14, 1976
Beacon Theatre

Uptempo and crackling with electric energy. This is another one to play any '76 skeptics out there who think everything was just too mellow!
Comes A Time
June 12, 1976
Music Hall

Gorgeous rising intensity. It's a bold move playing WR>CAT at the heart of the set. Both are slower, emotional ballads that can tip into funereal dirges if not fully charged up. They nail it here. The Rat is like seeing old friend, but the climax comes with the CAT. Dig it!