headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

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Submissions

1
Space
Nov. 8, 1969
Fillmore West

FEEDBACK - not Space proper, but the only place for this symphony of noise closing out one of the best 2nd sets of all time.
1
The Other One
Oct. 20, 1974
Winterland Arena

Am I taking crazy pills, but it's not here yet? It's mostly jam, only the first verse, and wildly emotional - could have been the last one ever, too.
1
Looks Like Rain
April 27, 1977
Capitol Theatre

Don't miss this treat by selecting only the famous May shows! Bobby/Donna are in rare perfection here. Perfect harmonies and sweet vox.
2
Good Lovin'
April 26, 1977
Capitol Theater

That's how you open a set and start the party. Bobby's in full command, Donna tight behind him, Keith blazes like a sparkling meteor. Hot stuff
1
Space
Sept. 10, 1974
Alexandra Palace

Headyversion doesn't have a "Seastones" page so it'll have to go here. Super subtle and very weird: Not everyone's soundtrack but it's one of mine!
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Comments

Sugaree
July 25, 1974
International Amphitheater

Feelin' Groovy Jam
Oct. 30, 1973
Kiel Auditorium

They stretch this out and really take off in the FGJ, like a chemical reaction slowly churning up, then building to a bubbling musical overflow.
El Paso
Oct. 30, 1973
Kiel Auditorium

The honkytonk first set is perfected here. Jerry is possessed, galloping 100 mph behind, around, above, and in-between Bobby's flawless delivery. El Paso never gets enough love... but you can tell they're just having a blast here.
Mexicali Blues
Oct. 30, 1973
Kiel Auditorium

Follows straight out of a very western-swinging Deal and holds onto the desperado theme. Some folks find this show to be a bit too mellow, a bit slower tempo for an era filled with electrifying whirligigs, but this Mexicali shows how well they could sync together at any speed, at any energy level during this peak era.
Deal
Oct. 30, 1973
Kiel Auditorium

Billy's soft-shoe shuffle is just spot on for this ultra-mellow version and he turns the barnburner we all know and love into a sweetly swinging Western foxtrot. Keith switches from the Hammond back to the old saloon pee-ann-er and rolls and trembles like he was born playing it in a spaghetti-bordello. They all play as one, and sound like they're all in on some sly joke. Lovely and distinct version.
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