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Carrion_Crow

Stealth Head

+49652


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.

Comments

Playin' In The Band
Nov. 15, 1972
Oklahoma City Music Hall

"Triumphant return" is a perfect description, darkstar67. My tastes run the same.
Playin' In The Band
Nov. 15, 1972
Oklahoma City Music Hall

Hot and fast jamming that never goes full-tweaking brain-melt like some of the others from right around this time. More than anything this benefits from a profoundly satisfying mix, allowing us to hear everyone in a lush soundscape, like we're right up there on stage with them. Jerry's got endless creative energy, Bobby's perfectly accenting and feeding him, and Keith is tremendous here too. This could be top shelf by anyone's standards.
Cumberland Blues
Nov. 15, 1972
Oklahoma City Music Hall

As much as I love the two-drummer eras, there are certain moments and songs where Billy alone seems so much better. Listen to his shitkickin' coal-car shuffle here and tell me it would have been improved with Mickey doubling up on every backbeat.
Candyman
Nov. 15, 1972
Oklahoma City Music Hall

Agreed with Broken Compass, this one is pretty damn close to perfect. It has everything: Strong vocals, including the harmonies, muscular - even swaggering soloing - and the emotional onslaught of some of the greatest lyrics off American Beauty. They even sound a bit "cowboy Dead" à la 1970 here. What a gem.
Bird Song
Nov. 15, 1972
Oklahoma City Music Hall

Beautiful melodicism and the vox, as noted is just so sweet.