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Carrion_Crow

Stealth Head

+49667


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.

Comments

Playin' In The Band
Nov. 15, 1972
Oklahoma City Music Hall

"Triumphant return" is a perfect description, darkstar67. My tastes run the same.
Playin' In The Band
Nov. 15, 1972
Oklahoma City Music Hall

Hot and fast jamming that never goes full-tweaking brain-melt like some of the others from right around this time. More than anything this benefits from a profoundly satisfying mix, allowing us to hear everyone in a lush soundscape, like we're right up there on stage with them. Jerry's got endless creative energy, Bobby's perfectly accenting and feeding him, and Keith is tremendous here too. This could be top shelf by anyone's standards.
Cumberland Blues
Nov. 15, 1972
Oklahoma City Music Hall

As much as I love the two-drummer eras, there are certain moments and songs where Billy alone seems so much better. Listen to his shitkickin' coal-car shuffle here and tell me it would have been improved with Mickey doubling up on every backbeat.
Candyman
Nov. 15, 1972
Oklahoma City Music Hall

Agreed with Broken Compass, this one is pretty damn close to perfect. It has everything: Strong vocals, including the harmonies, muscular - even swaggering soloing - and the emotional onslaught of some of the greatest lyrics off American Beauty. They even sound a bit "cowboy Dead" à la 1970 here. What a gem.
Bird Song
Nov. 15, 1972
Oklahoma City Music Hall

Beautiful melodicism and the vox, as noted is just so sweet.