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Carrion_Crow

Stealth Head

+49652


Submissions

13
Sugar Magnolia
June 24, 1970
Capitol Theatre

2nd ever in a triple Dark Star sandwich. Choral singing, not fully developed but part of some of the best damned Dead you'll ever hear. Believe me.
9
Don't Ease Me In
June 24, 1970
Capitol Theatre

Acoustic version, beautiful and tight. Don't miss the acoustic set in the rush to the late show.
6
Brown Eyed Women
July 25, 1974
International Amphitheater

Energetic and tight with great harmonies and strong soloing.
7
Black Throated Wind
July 25, 1974
International Amphitheater

Damned strong version building up nicely to the towering triumph, "you've done better by me than I've done by you". Strong stuff.
11
Deal
Oct. 2, 1977
Paramount Theatre

Bursting energy ending the 1st set in blazing glory. The shout chorus is outrageously hot. Has to be one of Donna's best nights ever.

Comments

Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Went back to the 26th and 2nd of October, which are more often cited as the first NFBM jams of '72. The 2nd has a clearer statement of the melody, leaving no doubt what Jerry was thinking. But this one is much much clearer to my ears than the 26th, just the night before. It doesn't start with a straight statement, though, so may have slipped through the cracks. For those interested, here is a brilliant essay by a deep scholar on "The Dead's Early Thematic Jams", which is pretty cool. http://deadessays.blogspot.ch/2010/01/deads-early-thematic-jams.html
Mississippi Halfstep Uptown Toodeloo
Oct. 27, 1972
Veterans' Memorial Hall

...and the MHUT out of TOO is totally surprising. I can't think of another TOO>MHUT jam any other time. Plus the version stands on its own as a worthy upvote. The Rio section is ultra sweet.
Black Throated Wind
Oct. 27, 1972
Veterans' Memorial Hall

This show starts off a bit rocky, but this song is where the band really finds their groove. Vocals, as mentioned, are just spot on.
Playin' In The Band
Oct. 26, 1972
Music Hall

This is tremendous. This is a stop everything and listen to it now kinda thing. Somehow I'd never heard this one before tonight, but I'm pretty sure I'll be listening to it many many times now... in a row. There's a lot to it, including a brilliant brilliant Phil/Billy duo that would be hard to find parallels to anywhere else. With all respect to Grendel, I would humbly suggest that Billy sounds more like Tony Williams than Buddy Rich here - more channeling Tony's interactive poetry and muscularity than Buddy's fine-tuned engine at 6800rpm. Jerry's re-entry after the duo must have melted down more than one sensitive brain, and is some of his finest acid-washed genes on tape. Time to listen to it again.
The Other One
Oct. 24, 1972
Performing Arts Center

The only reason this isn't much much higher is the fact that it was recorded from the bottom of a full swimming pool. The Philo Stomp (two rounds) and Tiger Jam blowout are just brilliant, and the He's Gone is just so sweet. Great suite, but a tough AUD.