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Carrion_Crow

Stealth Head

+49667


Submissions

5
Comes A Time
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

1st version and Keith's 1st show. Jerry's voice is clear and full of meaning and remorse. Very beautiful.
4
Deep Elem Blues
Sept. 30, 1971
Studio

Unique as an electric funky blues. The only recording of it between 70 and 78 in a studio rehearsal. Pity this didn't go into rotation this way.
1
Jack Straw
Sept. 30, 1971
Studio

Historic oddity. Keith's rehearsal and three weeks before the first live version. Alternate lyrics, but fun. Some sound issues, tape wobble/speed.
1
Playin' In The Band
Sept. 30, 1971
Studio

Historic moment with Keith's rehearsals, so there's that. But there's also some magic here and they really bite into the groove. Some sound issues.
3
Sugar Magnolia
Aug. 26, 1971
Gaelic Park

Totally nuts. The jam is supernova material.
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Comments

They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.
Help On The Way > Slipknot > Franklin's Tower
April 29, 1977
The Palladium

First off, they START the show with this, so if you're just settling in and you get smacked around by this monster you'd know you're in for a good night. Secondly the Slipknot is a spacetime-bending extra-dimensional portal or something like that: It takes the tempo way down, giving it the 'opium den on mars' kind of vibe before slowly, then quickly, then lickety-splittely winding back up into quicksilver lightning. Then, as the folks here say, the Franklin's is an ultra. Given the setlist I imagine a lot of heads were thinking "uh, wait... when did we drop?" right about here.
Johnny B. Goode
April 27, 1977
Capitol Theatre

Any musician knows you encore JBG when you know you've just been hot as hell. This show rips from start to finish and this JBG caps it off beautifully. Keith channels his inner Jerry Lee Lewis and shows how it's done to end a killer show.
Samson and Delilah
April 27, 1977
Capitol Theatre

Underrated! Sizzling up-tempo, this one pops with energy and pizzazz. Jerry and Phil are just on fire. If this doesn't get your legs moving and heart pumping, go see your doctor.
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