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Carrion_Crow

Stealth Head

+49637


Submissions

7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
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Comments

They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.
Help On The Way > Slipknot > Franklin's Tower
April 29, 1977
The Palladium

First off, they START the show with this, so if you're just settling in and you get smacked around by this monster you'd know you're in for a good night. Secondly the Slipknot is a spacetime-bending extra-dimensional portal or something like that: It takes the tempo way down, giving it the 'opium den on mars' kind of vibe before slowly, then quickly, then lickety-splittely winding back up into quicksilver lightning. Then, as the folks here say, the Franklin's is an ultra. Given the setlist I imagine a lot of heads were thinking "uh, wait... when did we drop?" right about here.
Johnny B. Goode
April 27, 1977
Capitol Theatre

Any musician knows you encore JBG when you know you've just been hot as hell. This show rips from start to finish and this JBG caps it off beautifully. Keith channels his inner Jerry Lee Lewis and shows how it's done to end a killer show.
Samson and Delilah
April 27, 1977
Capitol Theatre

Underrated! Sizzling up-tempo, this one pops with energy and pizzazz. Jerry and Phil are just on fire. If this doesn't get your legs moving and heart pumping, go see your doctor.
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