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Carrion_Crow

Stealth Head

+49667


Submissions

4
Long Black Limousine
Jan. 31, 1970
The Warehouse

Showcases their versatility: Switched mid-way through an electric set into this moody beauty after Phil's amp blew out. Gorgeous.
3
Hard to Handle
Jan. 31, 1970
The Warehouse

More like the great '71s than the others from 1970. A hard enough rocker that it apparently nuked Phil's amp, leading to a wonderful acoustic set.
10
Dire Wolf
Jan. 31, 1970
The Warehouse

Introduced as a "paranoid fantasy song", but oh so sweet for all that. Perfect rendition.
13
Not Fade Away
Oct. 3, 1976
Cobo Arena

Part of an epic jam, plus an enormous China Cat tease at 10:45 in a 5-year spell without them. Very interesting groove, too.
7
Mason's Children
Jan. 31, 1970
The Warehouse

For anyone with a soft spot for psychedelic bubblegum, the jam the shit out of this one. Ruff cut in the middle though.
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Comments

The Other One
Oct. 21, 1972
Vanderbilt University

Phil nukes the world and fries out the PA or something. In any case, the transition to Dew will blow your mind. Listening in sequence, they hadn't melted down into kozmik kayoss for a while. Lots of fun for those of us who love their tweaky weirdness at its tweakiest and weirdest.
He's Gone
Oct. 21, 1972
Vanderbilt University

Listen to Oct. 19 and 21 back to back: Seems like they were working on something new to the jam before going into the outro. The 19th is cool as it goes into a TOO reprise, but I find this one more coherent and perfect.
He's Gone
Oct. 19, 1972
Fox Theatre

Instead of drifting into silence, or back into Truckin' during the outro, this one ramps up and ramps up to a short TOO reprise. Listen to the crow go bananas after. They knew.
The Other One
Oct. 19, 1972
Fox Theatre

This one sneaks right up on you. It's seems all smooth-sailing, but then suddenly grabs you by the scruff of the neck and flings you across the room. Under right conditions, could be dangerous....
Big River
Oct. 19, 1972
Fox Theatre

I'll admit that I normally give Big River half the attention I give other songs, but this one has something different. It shuffles and struts, with a cool Western Swing vibe, which continues right into the FoTD that follows. It seems like they were in a mellow, swinging mood that at times almost sounds like they were a bit nostalgic for the 1970 sound.
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