headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49722


Submissions

5
Big Boss Man
April 17, 1971
Dillon Gym

Great harp work from Pigpen, who's voice was still strong and full of blues: Great crunchy jamming from the band.
3
Alligator
Nov. 11, 1967
Shrine Auditorium

With the power to blast you out of your chair. Watch your dose, it's that strong.
8
Cryptical Envelopment
Nov. 11, 1967
Shrine Auditorium

Any question's about primal Dead? Answer's right here in the outro of this psychedelic monster. A really hard core brainmelter, this.
5
Black Throated Wind
Sept. 10, 1972
Hollywood Palladium

Has it all. Builds and builds up to a great peak with Jer and Keith playing all out behind a great Bobby performance.
10
Me and Bobby McGee
Feb. 18, 1971
Capitol Theater

Maybe I'm the only Head out there who digs this song, but damn if this isn't a beauty. Tight harmonies and a good-times feeling.
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Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.
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