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Carrion_Crow

Stealth Head

+49667


Submissions

4
The Music Never Stopped
June 11, 1976
Boston Music Hall

Baffling that this isn't here yet. Perfect tight ensemble playing, exhuberence and one idea flowing into another. Great recent C.Miller cleanup too.
3
Brown Eyed Women
June 11, 1976
Boston Music Hall

Beautifully cleaned up version up now showcases the tight ensemble playing here. Bobby's tone is crystal clear and his fills are a treat to hear.
7
It Must Have Been The Roses
June 11, 1976
Boston Music Hall

If you've passed by this show, you're missing out a sweetheart of a Roses here. Check out the new C.Miller clean pane of glass in the window.
7
Might As Well
June 11, 1976
Boston Music Hall

New C.Miller cleanup (10/17) brings in the love. Brilliant show opener with everything '76 has to offer: Hot mellow, lyricisms, and DJG at her best.
19
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

So many brilliant ones, but you're missing a real treat if you count this one out. Particularly strong Franklin's but the Slipknot! is brilliant too.

Comments

Me and My Uncle
Dec. 16, 1986
Oakland-Alameda County Coliseum

Uh, Donny, you do know they'd been on an involuntary hiatus since July right?
Black Throated Wind
Oct. 19, 1972
Fox Theatre

Uh... yeah, but the whole band drops out for a spell. Bobby rescues it, that's true, and they all come charging back for the climax, but this one probably caused some eye-rolling by both band and roadies.
Dark Star
Oct. 18, 1972
Fox Theater

"Lesh takes over" is an understatement. How about, "Lesh destroys the universe with hammering thunder, unleashing Ragnarök to the ruination of the Storm Giants" or something like that. :^)
Sugaree
May 3, 1972
Olympia Theater

Hey Cuse, welcome back man! Where you been?! This is, you're right on, a definitive kickass version.
Brown Eyed Women
Feb. 3, 1978
Dane County Coliseum

Oh yes, this is more interesting, tighter, and exciting than the Cornell one. There's too much said about this everywhere, but yep, just like with Veneta, there's a confirmation bias effect that over-values Cornell relative to the other shows and versions that could be more highly regarded. The first solo here, the punchiness of the drums, the Bobby-doin'-Bobby thing, and Donna, yes Donna, all make this one a great great version.