headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

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Submissions

1
Not Fade Away
July 25, 1972
Paramount Theater

For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre

Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre

Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre

A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.
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Comments

Morning Dew
Oct. 18, 1972
Fox Theater

Want to know what it means to mean it? Jerry means it here. The vocals and solo are heartfelt and full. Great reference to Bill Evans here, merryjerry, spot on. As part of the Playin' suite to start all suites, this is just glorious.
Morning Dew
Oct. 18, 1972
Fox Theater

Want to know what it means to mean it? Jerry means it here. The vocals and solo are heartfelt and full. Great reference to Bill Evans here, merryjerry, spot on. As part of the Playin' suite to start all suites, this is just glorious.
Big Railroad Blues
Oct. 18, 1972
Fox Theater

This one is furthur, faster, and hotter than others of the time. Goes up and up and up. Jerry breaks into falsetto at one point.
Bird Song
Oct. 18, 1972
Fox Theater

Subtle and soft by comparison to others from Fall '72, but full of dreamy drifting visions and mellow soaring.
Black Peter
Oct. 17, 1972
Fox Theatre

In the right headspace, and when the band was on like it was here, Black Peter live was an extremely powerful collective experience of death and dying. I've always felt it to be one of their most psychedelic songs for this reason. If you've ever gone deep into its trance and felt yourself spreading thinner and thinner until your very molecules could no longer really be called "yours" anymore, only to find yourself reassembled and joyous once they pulled you back from the underworld and plopped you back into your body, then you'll understand: The crowd got taken for a long deep ride here.
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