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Carrion_Crow

Stealth Head

+49667


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Brown Eyed Women
Oct. 2, 1972
Springfield Civic Center

Bobby's really clear on the Miller mix, and it's excellent. Too many shows from '72 have him way way too far back in the sound. This is closer to what I remember it being like live.
Bird Song
Oct. 2, 1972
Springfield Civic Center

Get some headphones for this, and marvel at just what Keith was capable of when he was at his best. This whole set is packed with underappreciated gems like this one: The band is in total mind-meld, while Keith is just spectacular throughout.
China Cat Sunflower -> I Know You Rider
Sept. 30, 1972
American University

Transition to Rider rev's up and is just about to overheat when they pull it way back and start singing quite sweetly. Nice touch - but an awful cut in my version.
Not Fade Away
Sept. 28, 1972
Stanley Theatre

The first NFA has its moments and is worth a vote, but stick around for the lickety-split GDTRFB (seems like it's accelerating!) and Jerry lets you know just how much water he's got left in the well. The outro then picks up the energy and they close out on a blistering jam. Great stuff.
Wharf Rat
Sept. 28, 1972
Stanley Theatre

A real beaut with a perfect fade-out, ending a great 2nd hour-long jam.