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Carrion_Crow

Stealth Head

+49667


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 23, 1970
McDonough Arena - Georgetown University

Fun, tight version with great energy and tight vocals. Fun stuff.
1
Hard to Handle
Oct. 23, 1970
McDonough Arena - Georgetown University

Begins sounding like the epic hard charging beast it becomes over the next months.
2
Not Fade Away
Oct. 17, 1970
Cleveland Music Hall

The NFA>GDTRFB>NFA sequence in its infancy: 3rd time played, and remarkably smooth and perfect transitions with exuberant jamming.
3
The Other One
Oct. 17, 1970
Cleveland Music Hall

Super-charged hard rocker here. Hits all the 1970 highlights, with power and precision: a white knuckler. Tape is rough AUD, w/ C. Miller cleanup.
2
Hurts Me Too
Oct. 17, 1970
Cleveland Music Hall

One of Pig's best: Perfect vox, great harp solo. Jerry too. Some tape issues, but thanx Mr. Miller... thanks a lot.

Comments

Brown Eyed Women
Oct. 2, 1972
Springfield Civic Center

Bobby's really clear on the Miller mix, and it's excellent. Too many shows from '72 have him way way too far back in the sound. This is closer to what I remember it being like live.
Bird Song
Oct. 2, 1972
Springfield Civic Center

Get some headphones for this, and marvel at just what Keith was capable of when he was at his best. This whole set is packed with underappreciated gems like this one: The band is in total mind-meld, while Keith is just spectacular throughout.
China Cat Sunflower -> I Know You Rider
Sept. 30, 1972
American University

Transition to Rider rev's up and is just about to overheat when they pull it way back and start singing quite sweetly. Nice touch - but an awful cut in my version.
Not Fade Away
Sept. 28, 1972
Stanley Theatre

The first NFA has its moments and is worth a vote, but stick around for the lickety-split GDTRFB (seems like it's accelerating!) and Jerry lets you know just how much water he's got left in the well. The outro then picks up the energy and they close out on a blistering jam. Great stuff.
Wharf Rat
Sept. 28, 1972
Stanley Theatre

A real beaut with a perfect fade-out, ending a great 2nd hour-long jam.