headyversion

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Carrion_Crow

Stealth Head

+49682


Submissions

7
Casey Jones
Oct. 31, 1971
Ohio Theatre

Like the Jack Straw earlier, they take a slower deliberate pace to create a new vibe. Here you can hear them jam with over the sound of a train. Cool.
10
Jack Straw
Oct. 31, 1971
Ohio Theatre

Strange, almost experimentally slower version with some problems, but different guitar lines. Almost a novelty.
14
Loser
Oct. 31, 1971
Ohio Theatre

Anthemic version with great chorus vocals. Could be the closing music for a great western movie.
2
Goin' Down The Road Feelin' Bad
Oct. 30, 1971
Taft Auditorium

The transition jam back to NFA is one of the trippiest, dreamy, paintbrushes of sound ones I know.
2
Truckin'
Oct. 30, 1971
Taft Auditorium

Our boys give in to the heckler and rip out a classic Truckin' here. Great rock and roll here with a punchy, aggressive vibe and great soloing.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.