headyversion

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Carrion_Crow

Stealth Head

+49687


Submissions

2
Not Fade Away
Oct. 30, 1971
Taft Auditorium

Great interplay and hot jam in every combination in the birth month of the great quintet. Forgotten show.
4
Ramble On Rose
Oct. 30, 1971
Taft Auditorium

Not my favorite song, but this one rocks. Plus Jerry eviscerates a heckler after.
2
Tennessee Jed
Oct. 30, 1971
Taft Auditorium

Goddamned hard crunching rocker here. Jerry's guitar is so sharp it sounds like breaking glass (in a good way).
1
Playin' In The Band
Oct. 30, 1971
Taft Auditorium

They really push down on the 10/4 melodic form here, giving it a "The Main Ten" feel lost soon after. KG's 1st month is full of transition Playin's.
7
The Other One
Oct. 29, 1971
Allen Theatre

Masterpiece. The Jam out of drums into the first verse is inventive and exploratory, very subtle interplay. Totally overlooked. Dig it.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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