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Carrion_Crow

Stealth Head

+49707


Submissions

4
Bird Song
Feb. 24, 1971
Capitol Theater

Super loose in the joints and fun. They seem to be searching for the '71 sound throughout the run here but I like this one.
1
Sugar Magnolia
Feb. 23, 1971
Capitol Theater

High powered and super charged. The last third of the first set is a real killer.
12
Wharf Rat
Feb. 21, 1971
Capitol Theater

Not the best show, but the best Rat of this run. 4th ever, but the first one to stretch out and become its full self.
6
Playin' In The Band
Feb. 21, 1971
Capitol Theater

Want to be present at its birth? The infant Bacchus emerges. I love this song. This is the 1st time they nail it.
7
The Other One
Feb. 20, 1971
Capitol Theater

Passes through many phases, always exploring new riffs and hinting at further jams without ever losing its essential feeling and sound. Great stuff.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.