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Carrion_Crow

Stealth Head

+49712


Submissions

12
Loser
Dec. 10, 1971
Fox Theatre

A triumphant, anthemic version that shows another, powerful side to it. Great piano work gives it a nice flavor.
8
Goin' Down The Road Feelin' Bad
Dec. 14, 1971
Hill Auditorium

Just transcendentally perfect. The whole set from Cryptical on is monumental '71 headiness.
11
Playin' In The Band
Dec. 14, 1971
Hill Auditorium

About here Playin' starts stretching out. Only 7 min long, but there's a lot of charge here: Listen to all of them thinking "let's take this furthur".
13
Black Peter
Dec. 14, 1971
Hill Auditorium

A little more love for the early ones? A strong and powerful version that never loses focus. Beautiful.
10
Truckin'
Dec. 14, 1971
Hill Auditorium

Bristling hot show opener shows how they meant business. Dec. '71 is special transition time and this one pins you to the wall with energy.

Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.