headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

14
Sing Me Back Home
May 3, 1972
Olympia Theater

Elegance defined. Some of the sweetest vocal harmonies of the era. Nailed it.
19
Good Lovin'
May 3, 1972
Olympia Theater

Phil and Pigpen interplay like few others I know. Brilliant and clear, with a thumping good vibe.
19
Goin' Down The Road Feelin' Bad
May 3, 1972
Olympia Theater

Show is all highlights, and NFA-GDRFB-NFA caps it in style. Listen to the whole set for full effect and feel the love.
2
Promised Land
Sept. 15, 1978
Sphinx Theatre

Kesey video after 12 min. of Ollin Arrageed, worth every second: http://www.youtube.com/watch?v=hMAKJfuP4II
1
Beat it on Down The Line
Dec. 31, 1971
Winterland Arena

Holy smokes! They took their vitamins today. Catch 'em if you can or get out of the way. Roller coaster version.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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