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Carrion_Crow

Stealth Head

+49652


Submissions

47
Playin' In The Band
May 14, 1974
Adams Field House, U of Montana

Slower, moody and thoughtful with Phil and Jerry-driven explorations. Brief Slipknot tease at 8:20 and 13:50 and a cool Supplication tease at 9:30.
13
Truckin'
May 12, 1974
University of Nevada

Inventive and crystal clear jam, leading into a 'nobody's fault' jam and a killer TOO>MLB where the '74 sound is just taking shape. Underappreciated.
2
Tennessee Jed
Dec. 31, 1971
Winterland Arena

Brilliant, cracklin' good, fast, tight and fun.
3
Chinatown Shuffle
Dec. 31, 1971
Winterland Arena

Crackles with up-and-jumping energy. Great show all around showing off the best of the era with Pig and Keith.
21
Scarlet Begonias
June 9, 1976
Boston Music Hall

Some funky bass be-bop and beautiful chaos in order in chaos in the outro jams. Just exactly perfect.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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