headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

11
Here Comes Sunshine
March 26, 1973
Baltimore Civic Center

Captures all that's great about this song. Uplifting, joyful, smile-inducing. Can't believe this one's not here yet.
4
El Paso
March 26, 1973
Baltimore Civic Center

Supreme version: Fast, precise and galloping. Great harmonies with Jer singing backup.
13
Brown Eyed Women
March 26, 1973
Baltimore Civic Center

Simply perfect and beautiful version in a great show.
20
Playin' In The Band
March 26, 1973
Baltimore Civic Center

Propulsive and moody. Melodic developments developed over 20 minutes of energetic jamming. Billy and Phil are driving throughout.
34
Playin' In The Band
March 24, 1973
The Spectrum

Expansive, exploritory, and spaced out in places, a nice ride and another great from Spring '73.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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