headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
China Cat Sunflower -> I Know You Rider
March 5, 1972
Winterland Arena

Notable for the "miracle beer" Bobby passes around to launch the song. "Everybody just wet your tongue". Okaaaaaay.
3
Playin' In The Band
Jan. 2, 1972
Winterland Arena

One of the last ones with a clear "The Main Ten" jam in it (around 2:50), namely the primordial ooze that becomes the Playin' we know in a few months.
1
Mexicali Blues
Jan. 2, 1972
Winterland Arena

Fully loaded, hard charger. Tight, uptempo, and jumping.
1
Tennessee Jed
Jan. 2, 1972
Winterland Arena

Clanging twanging banger with just enough grit in the gears, could have gone a bit higher, but tight and right in its way. Underrated show here folks.
1
Loser
Jan. 2, 1972
Winterland Arena

Solid and soulful. Jerry's voice is on point.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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