headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 17, 1970
Cleveland Music Hall

Multigen sound quality, but unmistakenly tight jam with a sweet transition.
3
Doin' That Rag
Jan. 24, 1969
Avalon Ballroom

Song was brand new and they're searching for the sound, almost goes into a Violaesque jam. Transitional, hot stuff.
5
Death Don't Have No Mercy
Jan. 17, 1969
Civic Auditorium

Deep and mournful, with great organ fills and group soloing. Very solid.
6
St. Stephen
June 7, 1969
Fillmore West

Massively crunching Stephen with Jer's tone like a machinegunbuzzsaw. Out of a killer DS too. Why no love yet?
1
Sugar Magnolia
Sept. 17, 1970
Fillmore East

Something happened to the song between August and September, and this is the "first" Sugar Mag that resembles the song we know, now it's tight.
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Comments

It's All Over Now Baby Blue
Sept. 26, 1972
Stanley Theatre

Gorgeous. This one is much tighter and coherent than the only other version of the era played just three days earlier. This is a sublime interpretation.
The Other One
Sept. 26, 1972
Stanley Theatre

Can't really call this a TOO, as they never quite make it into the melody or lyrics. They do jam the ever-living fuck out of it though, which is awesome.
Bird Song
Nov. 22, 1972
Austin Municipal Auditorium

Cucamonga007: Just saw that you recommended this to me, and man oh man, thanks brother. It blazes and soars, no matter what DonnieMT has to say and kvetch about it. The musical confidence they bring to Bird Song at this stage in its development is unworldly. Consider that they're going to drop it from rotation a year later. What did they finish with it? This is a "clean" version, like the one on 26.09.72 that you've really got to check out if you want to discover an unknown gem that shouldn't be, rather than a Dark Starish sprawler. In any case, thanks again, man.
Bird Song
Sept. 26, 1972
Stanley Theatre

Fer G*d's sake, Heads: Listen to this now!
Deal
Sept. 26, 1972
Stanley Theatre

Jerry's solo is like a high-voltage cable cut loose and flailing wildly, arcing and dancing on the edge of crazy.
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