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Carrion_Crow

Stealth Head

+49687


Submissions

2
Playin' In The Band
Aug. 26, 1971
Gaelic Park

At risk of putting all '71 up here. Tell me to stop if too much! I just love the twangy country versions, knowing the evolution in store for it.
12
Wharf Rat
Aug. 23, 1971
Auditorium Theatre

Extremely powerful. Strong vocals, massive sound, tremendous jam, great mix. Coming off 30 minutes of TOO like a parachute from the ionosphere.
3
Bird Song
Aug. 23, 1971
Auditorium Theatre

Intricate zigzagging solo work from Jerry, tight ensemble playing. Doesn't ever "soar" like some of them, but more exploratory and compelling.
3
Casey Jones
Aug. 23, 1971
Auditorium Theatre

They announce the set-break, then decide to blow out the tubes on this one, capping one of the best 1st sets of 1971.
4
Loser
Aug. 23, 1971
Auditorium Theatre

Snarling guitar solo and great organ sound in an excellently mixed (Bobby audible always a plus) SBD. The whole first set is sweet heady goodness.

Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.