headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

1
Not Fade Away
March 21, 1971
Exposition Center

Murky AUD and incomplete show on IA, but a blaze of fun, this one. Has an itty-bitty Mountain Jam at 1:25 for about 12 seconds.
1
Good Lovin'
March 20, 1971
University of Iowa

Some rough spots coming back in, but a very interesting almost Santana-esque first jam and a great Pig groove. Interesting one.
12
Caution
March 18, 1971
Fox Theatre

Surprised it isn't here yet. Only one in '71 and it intensely musical and weirdly experimental. Crashes into a short feedback/tuning then a sweet UJB.
9
The Other One
March 18, 1971
Fox Theatre

Moves between super-charged hard rocker and an open-spaced delicate beauty. Marred by a cut, so how far did it really go? Anyone have the complete?
11
Wharf Rat
March 18, 1971
Fox Theatre

Soaring jam flirts with tipping into the outer void. Wild beauty with Pig on B3 gives it something extra.
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Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.
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