headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49712


Submissions

3
Deep Elem Blues
April 13, 1982
Letterman

Sweet version with just Bob and Jerry for the David Letterman Show. Funny interviews + a Monkey & the Engineer. On YouTube. Jer outsmarts David L.
3
Playin' In The Band
April 5, 1971
Manhattan Center

'71 Playin's are a special kind of love: nothing like what it became, a clang machine 10/4 poppin' country yodel. This one knocks my socks off.
4
Weather Report Suite
Nov. 19, 1972
Hofheinz Pavilion

The Prelude only, but really it's a thematic and 2nd meltdown to the mind-blowing Dark Star. Under certain circumstances this one could be dangerous.
12
Nobody's Fault But Mine
July 29, 1974
Capitol Center

A seamless sweet groove - into a very cool TOO. This show doesn't get enough love - all Summer '74 is hot, but this is a real corker.
10
Deal
July 29, 1974
Capitol Center

Some of the best boogie-woogie cowboy barroom stride piano from Keith here.
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Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.
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