headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

17
Eyes Of The World
March 19, 1973
Nassau Coliseum

Tight and right, with beautiful jamming and solid groupthink throughout. Headphones only for archive version: HELP US ON THIS ONE CHARLIE MILLER!!!
10
Playin' In The Band
March 19, 1973
Nassau Coliseum

Headphones only (sound problems), but so worth it - liquid crystal lightning Jerry jaming at it's best. Deserves many listens.
2
Tennessee Jed
March 19, 1973
Nassau Coliseum

Archive copy sounds like its recorded through a tin can, but excellent groove, jam. For headphones only.
6
China Cat Sunflower -> I Know You Rider
March 19, 1973
Nassau Coliseum

High energy! Please oh please where are the better sound quality versions? Where are the boards?
17
Morning Dew
March 16, 1973
Nassau Coliseum

Massive and powerful. Jerry and Keith are just brilliant. OK, that all from me on this great show.

Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.