headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
Sugar Magnolia
June 15, 1976
Beacon Theatre

Cool Sugar Mag>Scarlet Begonias>SSDD sammy. Is this the only one like it? The SSDD kicks ass.
7
Friend of the Devil
June 15, 1976
Beacon Theatre

I won't say best, but there's a very cool Hawaiian vibe with Jerry and Bobby backing Keith's solo around the fifth minute.
4
Samson and Delilah
June 15, 1976
Beacon Theatre

Swaggering gospel here, with all the muscle and might befitting the song. Bobby's having a blast.
12
Not Fade Away
June 15, 1976
Beacon Theatre

Jam starts to bubble and boil and rolls on with great creative force. Very cool '76 sound, and a great mix with Bobby and Phil interaction on display
9
The Music Never Stopped
June 15, 1976
Beacon Theatre

Really short, but very tight. Jerry ends with a cascading riff that sounds like spotaneous composition. Anyone know if they played this jam again?
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Comments

Playin' In The Band
Sept. 24, 1972
Palace Theatre

Uptempo, but with some wicked jams that get a bit dark in places. Still, it's a blazing hot Playin' that should get more love than it has here. The Jerry Moore AUD on the archive covers the unpatched gap on the more popular soundboard version.
Bird Song
Sept. 24, 1972
Palace Theatre

This one has a muscular, intense energy to it. Comparing this show to the one the night before is no contest. They were on all night here.
Cumberland Blues
Sept. 24, 1972
Palace Theatre

The best Cumberlands have that feeling of being slightly out of control, like a coal car speeding down tracks laid deep in the mine, losing breaks, blowing switches and shooting sparks. This one's got it in aces.
Black Throated Wind
Sept. 24, 1972
Palace Theatre

Tremendous emotional arc from cool strut at the beginning rising rising into a walk-through-walls powerful climax. '72 was indeed a killer year for this chronically under-estimated monster.
Wharf Rat
Sept. 23, 1972
Palace Theater

A stunner. Beautiful, emotive playing that prefigures the absolute apogee of WR (June '74) by almost two years. Probably to best song of the show, too.
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