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Carrion_Crow

Stealth Head

+49652


Submissions

3
Born Cross Eyed
Feb. 3, 1968
Crystal Ballroom

Wild and scrambled with lots of hooting and yelping. Lots of scary fun on this rare gem folks, with a Spanishy jam at the end.
5
China Cat Sunflower
Feb. 3, 1968
Crystal Ballroom

Killer power bridging Dark Star into an atomic The Eleven. Not kidding, but all the early ones belong up here to spread more heads into '68 Dead.
8
Not Fade Away
Feb. 11, 1970
Fillmore East

High-energy and very tight. Opens (?) an immortal show with a big bang. Great clear sound quality, too.
5
The Other One
Feb. 11, 1970
Fillmore East

Super-charged, but unfortunately incomplete. From the era when TOO took over from Cryptical, but this reprise has surprising power: PHIL.
3
Cold Rain and Snow
Dec. 28, 1969
International Speedway

Explosive and uptempo with a high-pressure energy that blows the tubes.
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Comments

Ramble On Rose
May 5, 1991
Cal Expo

Hey crackstraw! Am I trippin' or did our whole conversation disappear? Didn't copy your list of favorites from '79-'82. Bummer. Any chance to repost it?
Me and Bobby McGee
April 5, 1971
Manhattan Center

Glad you dig it brother. There are certain songs that don't do it for me - hell, whole years that don't turn me on - but always happy to have a head flip me over on something new, help me hear-it-as-it-was, and discover something new in the big story that was (is) the finest band in the land.
Me and Bobby McGee
April 2, 1973
Boston Garden

Yo cgarces: I love this song, but kudos to you for finding the good in it on select versions. Check out April 5, 1971 for a really special gem, complete with Jerry yodeling harmonies on the out chorus.
Dark Star
Aug. 1, 1973
Roosevelt Stadium

Hey Dude420, so glad you made it over here! I just recommended this one to you over on another show where you mentioned whale calls. Dju catch that or was this cozmik coincidence?!?
Playin' In The Band
April 2, 1973
Boston Garden

Still with Grendel here. Of course '73 is superbly generous when it comes to Playin'. But from the start the tempo, crispness, hard-biting Bobby injects and purposeful driven quality to this are top notch. And Billy? He's an orchestra onto himself in this. Top five for '73? Maybe, maybe not, but who cares? On its own, or next to 200 others from less energetic shows, this one (and the HCS and Eyes from the second set) will send you over the blissful edge just oh-so nicely.
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