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Carrion_Crow

Stealth Head

+49667


Submissions

5
Brown Eyed Women
Sept. 12, 1973
William and Mary College Hall

Sweet and melodious. Jer sings it from the heart and the band is really tight.
27
Dark Star
Sept. 11, 1973
William and Mary College Hall

Moody, mellow, then into an explosive but still sparse jam (all before the verse). Colossal Phil then blows your mind and speakers. Excellent.
3
Big River
Sept. 11, 1973
William and Mary College Hall

Very uptempo and fun with some great solos. Good energy.
10
Let It Grow
Sept. 11, 1973
William and Mary College Hall

Surpirse not to see this here yet. Martin Fierro guests on sax and the short-lived horn section sounds great. A treat with historical importance.
12
Playin' In The Band
Sept. 11, 1973
William and Mary College Hall

Ending a first set that seems more '76 than '73 (slow grooves), this one finally gets off the leash and into a great jam.
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Comments

Ramble On Rose
May 5, 1991
Cal Expo

Hey crackstraw! Am I trippin' or did our whole conversation disappear? Didn't copy your list of favorites from '79-'82. Bummer. Any chance to repost it?
Me and Bobby McGee
April 5, 1971
Manhattan Center

Glad you dig it brother. There are certain songs that don't do it for me - hell, whole years that don't turn me on - but always happy to have a head flip me over on something new, help me hear-it-as-it-was, and discover something new in the big story that was (is) the finest band in the land.
Me and Bobby McGee
April 2, 1973
Boston Garden

Yo cgarces: I love this song, but kudos to you for finding the good in it on select versions. Check out April 5, 1971 for a really special gem, complete with Jerry yodeling harmonies on the out chorus.
Dark Star
Aug. 1, 1973
Roosevelt Stadium

Hey Dude420, so glad you made it over here! I just recommended this one to you over on another show where you mentioned whale calls. Dju catch that or was this cozmik coincidence?!?
Playin' In The Band
April 2, 1973
Boston Garden

Still with Grendel here. Of course '73 is superbly generous when it comes to Playin'. But from the start the tempo, crispness, hard-biting Bobby injects and purposeful driven quality to this are top notch. And Billy? He's an orchestra onto himself in this. Top five for '73? Maybe, maybe not, but who cares? On its own, or next to 200 others from less energetic shows, this one (and the HCS and Eyes from the second set) will send you over the blissful edge just oh-so nicely.
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