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Carrion_Crow

Stealth Head

+49667


Submissions

3
China Cat Sunflower -> I Know You Rider
Oct. 17, 1970
Cleveland Music Hall

Multigen sound quality, but unmistakenly tight jam with a sweet transition.
3
Doin' That Rag
Jan. 24, 1969
Avalon Ballroom

Song was brand new and they're searching for the sound, almost goes into a Violaesque jam. Transitional, hot stuff.
5
Death Don't Have No Mercy
Jan. 17, 1969
Civic Auditorium

Deep and mournful, with great organ fills and group soloing. Very solid.
6
St. Stephen
June 7, 1969
Fillmore West

Massively crunching Stephen with Jer's tone like a machinegunbuzzsaw. Out of a killer DS too. Why no love yet?
1
Sugar Magnolia
Sept. 17, 1970
Fillmore East

Something happened to the song between August and September, and this is the "first" Sugar Mag that resembles the song we know, now it's tight.

Comments

Ramble On Rose
May 5, 1991
Cal Expo

Hey crackstraw! Am I trippin' or did our whole conversation disappear? Didn't copy your list of favorites from '79-'82. Bummer. Any chance to repost it?
Me and Bobby McGee
April 5, 1971
Manhattan Center

Glad you dig it brother. There are certain songs that don't do it for me - hell, whole years that don't turn me on - but always happy to have a head flip me over on something new, help me hear-it-as-it-was, and discover something new in the big story that was (is) the finest band in the land.
Me and Bobby McGee
April 2, 1973
Boston Garden

Yo cgarces: I love this song, but kudos to you for finding the good in it on select versions. Check out April 5, 1971 for a really special gem, complete with Jerry yodeling harmonies on the out chorus.
Dark Star
Aug. 1, 1973
Roosevelt Stadium

Hey Dude420, so glad you made it over here! I just recommended this one to you over on another show where you mentioned whale calls. Dju catch that or was this cozmik coincidence?!?
Playin' In The Band
April 2, 1973
Boston Garden

Still with Grendel here. Of course '73 is superbly generous when it comes to Playin'. But from the start the tempo, crispness, hard-biting Bobby injects and purposeful driven quality to this are top notch. And Billy? He's an orchestra onto himself in this. Top five for '73? Maybe, maybe not, but who cares? On its own, or next to 200 others from less energetic shows, this one (and the HCS and Eyes from the second set) will send you over the blissful edge just oh-so nicely.