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Carrion_Crow

Stealth Head

+49707


Submissions

1
Playin' In The Band
Aug. 23, 1971
Auditorium Theatre

Clanging and banging in all the right ways for the '71 sound. Has so much energy packed into it you can hear how it will explode over the next year.
6
Wharf Rat
Aug. 15, 1971
Berkeley Community Theater

Very serious, beautiful and magical jam. Should be up there with the top of them. Don't miss it.
5
China Cat Sunflower -> I Know You Rider
Aug. 15, 1971
Berkeley Community Theater

Virtuoso performance, the transition builds like a speeding river as it reaches a waterfall. There's a short tape gap in Rider, though, its all good.
4
Sugaree
Aug. 15, 1971
Berkeley Community Theater

Smooth and blissful rocker, followed by a very funny 4-second "White Rabbit" quote and conversation in response to a wacky head in the crowd.
3
Mister Charlie
Aug. 15, 1971
Berkeley Community Theater

Snarling and ballsy, complete with a hog snort in the pause after it. Pigpen got good and greased up for this show. Fun and loose.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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