headyversion

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Carrion_Crow

Stealth Head

+49707


Submissions

5
Bertha
July 31, 1971
Yale Bowl, Yale University

Revs up the rowdy crowd, tight and powerful 2nd set opener in a brilliant show. The AUD is a bit rough in places, but gives it great atmosphere. Hot.
8
Mister Charlie
July 31, 1971
Yale Bowl, Yale University

Ignore the audiophobes and get into it. Pig and Jerry both totally on. The band is exploding with energy. Overlooked show, and Dave knew it.
4
Black Peter
June 21, 1971
Chateau d'Herouville

Strong and powerful, like all the best versions of BP. Deep emotions on great pulse to this one.
3
Me and My Uncle
June 21, 1971
Chateau d'Herouville

Great sound. Some tuning/monitor problems earlier but by this they've worked it out. Nice clean version in what turns out to be a killer show.
2
Hard to Handle
May 29, 1971
Winterland Arena

Don't pass this by because of the AUD issues. Stands up to all the top H2Hs here. The jam and energy are outrageous.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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