headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

4
Space
June 28, 1974
Boston Garden

Sea Stones: Space noise electronica with Phil & Ned. Not for everyone, but sends me into well into the interstellar place.
6
Sugaree
June 28, 1974
Boston Garden

May-June '74 might be my top time for Sugaree. This just builds up to so much intensity. Great stuff.
3
Candyman
Aug. 5, 1970
Golden Hall - San Diego Community Concourse

Intimacy levels: Campfire. Acoustic mellow to the point where I feel like just went camping with my favorite band. A treasure.
7
The Other One
Feb. 3, 1968
Crystal Ballroom

Clutch yer nuts and hold on for dear life. Heavy headiness where the squiggly hippies and the madman bikers get massively Dead nailed.
15
Truckin'
Sept. 28, 1975
Lindley Meadows, Golden Gate Park

Explosive jam like they had 11 months of unplayed Truckin's compressed into one.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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