headyversion

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Carrion_Crow

Stealth Head

+49742


Submissions

5
Not Fade Away
March 24, 1970
Pirates World

Has it all, and goes seamlessly into a killer Lovelight. Not catching why this show is the bomb? Try HEADPHONES - makes a big difference!
7
Let It Grow
June 26, 1974
Providence Civic Center

As a young head I used to scream out for LIG and this one reminds me why. They click into place for a monster show right here.
12
Scarlet Begonias
June 26, 1974
Providence Civic Center

Scarlet scrambled eggs deconstructed and elemental. Fun and Jerry is on fire, but we can't say 'flawless'. Chaotic fun. Band's just warming up....
10
Wharf Rat
April 5, 1971
Manhattan Center

Beautiful Skull and Roses-era top notch Wharf Rat genius on your ears here for those'll have it. Enjoy, bros.
6
Bird Song
April 17, 1971
Dillon Gym

A strangly deconstructed early version (7th time ever), very loose in the joints. But it rolls along with great lopsided beauty. Interesting.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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