headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

8
He Was A Friend of Mine
June 14, 1969
Monterey Performing Arts Center

So blissful you might just find yourself floating out of time. A beautiful mellow island in a sea of blazing psychedelia. China Cat tease at the end.
3
Dark Star
Oct. 30, 1968
The Matrix

Rarity w/o Pig or Bobby, but TWO glorious Dark Star jams on this "goof" of a night. Strictly speaking not the Dead, but it's here and its glorious.
2
Turn On Your Love Light
Oct. 30, 1968
The Matrix

A rarity: No Pig or Bobby & no vocals. Still, beautifully inventive soloing shows why they kept it in rotation for so long. This "goof" is worth it.
6
Hard to Handle
April 5, 1969
Avalon Ballroom

Hot sex.
23
Death Don't Have No Mercy
Nov. 2, 1969
Family Dog at the Great Highway

So much feeling coming off an interstellar DS>StS>11 and then they just put this show to bed with brilliance and feeling.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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