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Carrion_Crow

Stealth Head

+49652


Submissions

45
Playin' In The Band
Dec. 19, 1973
Curtis Hixon Convention Hall

Really Heads? Not here yet? 21 minutes of super fine hotandheady jam. Blazing hot, capping off a year of just outrageous Playin' playing.
14
Candyman
April 15, 1970
Winterland Arena

Don't know the '70s versions enough to say "unique", but check this one out for beeeautiful vocals over light-as-light sweet acoustic playing.
21
Cold Rain and Snow
April 15, 1970
Winterland Arena

The boys start the show with all guns blazing. Seems like they'd open with this when they were most massive. Ahhhh, Winterland.
7
Jack Straw
Dec. 18, 1973
Curtis Hixon Convention Hall

The band has come together, the vocals are warm, the solos are sharp, so strap on boys and girls 'cause this show just ignites from here on out....
9
Caution
Sept. 20, 1970
Fillmore East

Great Caution, but absofreakinglutely outrageous feedback into the deep deep space and back. Face stolen, body floating -> Bid You Goodnight. Damn.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?