headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

4
The Eleven
March 30, 1968
Carousel Ballroom

The China Cat>The Eleven sequence was always very cool and this one burns hot and fast. Don't wanna just put all of 'em up here, but this is a cooker.
5
Dark Star
March 30, 1968
Carousel Ballroom

A short little gem: Nice clear solo ideas and tight ensemble playing with that bursting-at-the-seams energy from the Anthem era.
2
The Other One
March 30, 1968
Carousel Ballroom

It's '68 and the boys are on fire. This one pins you to the wall all its the sharp turns and jagged explosiveness. Hard pschedelic rock.
7
The Eleven
April 21, 1969
The Ark

So blisteringly hot. All three Ark '69 shows are brilliant, but this is the clearest example of their brilliance on Eleven.
4
Playin' In The Band
Dec. 15, 1971
Hill Auditorium

Just listened to it 4x in a row, something I never do. The whole intense Playin' universe packed into under 7min. Could be my favourite '71.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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