headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

26
The Other One
Oct. 29, 1973
Kiel Auditorium

A massive, heavy, rocketship of a performance: Explosive liftoff, mining expedition to deep space, smoking craters, then a long sweet fast ride home.
13
Brokedown Palace
Oct. 29, 1973
Kiel Auditorium

A beautifully rendered rare treat with a nice emotional arc and sweet harmonies.
5
Tennessee Jed
Oct. 27, 1973
Indianapolis State Fair Coliseum

Hot building and building jam. One of those shows where just every song rocks. Nothing wrong here...
5
Bertha
Oct. 27, 1973
Indianapolis State Fair Coliseum

Great solos, tight ensemble playing kicking of the 2nd set from a great show. Energetic and blazing.
6
They Love Each Other
Oct. 27, 1973
Indianapolis State Fair Coliseum

Tight and right. The band is charged up and having fun together. Great energy.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?