headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

11
Candyman
Feb. 18, 1971
Capitol Theater

Beautiful harmonies and country soul. Brilliant and historically important show.
10
Playin' In The Band
Feb. 18, 1971
Capitol Theater

First performance ever and it's slower, but beautiful and raw. Bobby sings like a country warbler typical of the '71s. Historically interesting.
15
Greatest Story Ever Told
Feb. 18, 1971
Capitol Theater

Primordial version, first time played, introduced as "Mickey wants to call this one 'The Pump Man' for reasons of his own." Raw and unlike any other.
19
Loser
Feb. 18, 1971
Capitol Theater

First Loser ever and the last Mickey show before his break. Brilliant version, hot energetic vocals and that good '71 sound.
15
Hurts Me Too
Feb. 18, 1971
Capitol Theater

Dripping with deep-soul. Pigpen's voice at its best. Sounds like honey.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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