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Carrion_Crow

Stealth Head

+49667


Submissions

4
Sugar Magnolia
March 21, 1973
Utica Memorial Auditorium

The sugar's sweet - but the daydream just blows everything else away with joy.
6
Brokedown Palace
March 21, 1973
Utica Memorial Auditorium

Musical and sweet with great harmonies. Brilliant show with many great, mellow versions of their '73 setlist.
11
Playin' In The Band
March 21, 1973
Utica Memorial Auditorium

Exploratory simmering energy. Phil and Jerry co-soloing on a high plane of endless inspiration. Not a barn-burner, but smooth and abstract.
4
China Cat Sunflower -> I Know You Rider
March 21, 1973
Utica Memorial Auditorium

Snazzy light and tight. China's melody is a traipsing psychadelic counterpoint, a perfect trans into Rider. Good vibes.
8
The Other One
March 19, 1973
Nassau Coliseum

Complicated rising and falling arc to the energy, but great jam. Long Truckin>TOO>Eyes in a great 2nd set. Sound quality problems though.

Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?