headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

1
Playin' In The Band
June 4, 1976
Paramount Theatre

This is a weird one. At times it seems like they forgot it was PiTB and went back to the HSF jam. Fun, but waaaaaaaaay loose.
1
Lazy Lightnin' -> Supplication
June 4, 1976
Paramount Theatre

Short, sweet, brand new, and flawless.
1
Friend of the Devil
June 4, 1976
Paramount Theatre

Brilliant early "slow version". I always prefered the desperado fast-paced ones, but this turns into a brilliant exploration and improv vehicle.
3
Uncle John's Band
Dec. 31, 1972
Winterland Arena

Uptempo, powerful, strong vocals. This is top shelf UJB. With David Crosby for that extra oomph, and with a tigh outro, it's strangely not here yet.
4
Jack Straw
Dec. 31, 1972
Winterland Arena

Like every other song in the first set, this is just pristine, air-play level perfection. Beautiful fills by Keith here, too.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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