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Carrion_Crow

Stealth Head

+49667


Submissions

3
Greatest Story Ever Told
Oct. 27, 1972
Veterans' Memorial Hall

Electrifying set opener (I think) that shows off that St. St. connection brilliantly.
1
Me and Bobby McGee
Oct. 27, 1972
Veterans' Memorial Hall

Jerry's backup vocals give this one sweet emotion. Chronically under-appreciated song.
4
China Cat Sunflower -> I Know You Rider
Oct. 26, 1972
Music Hall

Tight, nice CC. Seems like 1st moment of the set the band is firing on all cylinders. Trans. stretches to great IKYR.
4
Bird Song
Oct. 26, 1972
Music Hall

Compelling version with Jerry exploring new ideas. It doesn't quite soar like other Fall '72s, but still stretches out and worth a close listen.
4
Truckin'
Oct. 24, 1972
Performing Arts Center

Pity the SQ is so flat, as this one cooks up nice and hot, with some extra melodicism in the outro jam before D>TOO. This show needs a SBD infusion.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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