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Carrion_Crow
Stealth Head
+49667
Submissions
2
Playin' In The Band
Oct. 24, 1972
Performing Arts Center
hard to believe this big beast hasn't been tagged yet: Experimental, interesting, and at 23min, a nice long ride.
2
Box of Rain
Oct. 24, 1972
Performing Arts Center
Only the 2nd one they played after it went into circulation, and it conveys all the emotion and poetry of this wonderful song. Sing something Phil!
1
Brokedown Palace
Oct. 23, 1972
Milwaukee Performing Arts Center
For a song notoriously difficult to pull off live, this one is just beautiful. Succinct, harmonious, deliberate: All good, in spite of AUD quality.
2
China Cat Sunflower -> I Know You Rider
Oct. 23, 1972
Milwaukee Performing Arts Center
Great transition into Rider here. Really strong '72 ensemble playing. Sound quality is only about a B though.
1
Black Throated Wind
Oct. 23, 1972
Milwaukee Performing Arts Center
Solid heady version with a great build-up. Sound is only B quality though.
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Comments
Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center
Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios
The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center
Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center
Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center
The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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