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Carrion_Crow

Stealth Head

+49667


Submissions

2
Stella Blue
July 16, 1972
Dillon Stadium

2nd one ever, and it seems like they're still getting it together. Nicely stripped down and clear vocals. Historically interesting.
2
Deal
July 16, 1972
Dillon Stadium

Massive enthusiasm, Jerry sings himself hoarse. Brilliant, in spite of poor AUD quality.
6
Playin' In The Band
July 16, 1972
Dillon Stadium

All the inferno-intensity of the great '72s (yeah, those ones) condensced to 14min. Only reason not here is the B- AUD quality. Don't miss it!
3
Black Throated Wind
July 16, 1972
Dillon Stadium

AUD-only supernova, not for the SBD-only folks. The band is so tight, the arc or the song just exactly perfect.
4
Cold Rain and Snow
July 16, 1972
Dillon Stadium

Listen past the saturated AUD murk and behold a masterpiece. High energy, hitting the highlights and ending on a perfect feedback whine. Great show.
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Comments

Sing Me Back Home
Sept. 17, 1972
Baltimore Civic Center

Yeah, this is one of the best. Doesn't drag at all, vocals in great shape. Beautiful version.
I Know You Rider
Nov. 3, 1965
Golden State Studios

The most Kingston Trio-ish I've ever heard them sound. What fun. Haven't listened to this in a while, but the comment on "Can't Come Down" brought me here. Cool stuff.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

Glad you dig it, darkstar67. The whole second set is balls-to-the wall, with some grit and power.
Playin' In The Band
Sept. 17, 1972
Baltimore Civic Center

Keith's work here is superb. He and Jerry are in perfect mind meld. This period for Playin' is such an embarrassment of riches, how could you choose just one favorite? I love how this one finds a beautiful quiet spot mid-way in, gives Billy and Phil some space, then comes sizzling back in like waves of heat off a burning meteor.
China Cat Sunflower -> I Know You Rider
Sept. 17, 1972
Baltimore Civic Center

The comments are spot on. The punchiness on this one gives in a powerful driven feel. Almost sounds like a musical argument in places: right after the last lyrics in CC, it sounds to me like Jerry tried to pull out a minor variation the Phil vetoed. Anyone else hear it?
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